![Nyt nummer af Nordisk Poesi ude nu!]()
by admin | Nov 27, 2023 | Uncategorized
I forlængelse af de tre workshops som Nordiske digtere og kritikere afholdte i Aarhus (oktober 2021), Oslo (april 2022) og Sundsvall (august 2022), med fokus på de poetiske arbejder af Pia Juul, Johan Jönson og Gunnar Wærness, er der netop udkommet et temanummer af Nordisk Poesi – tidsskrift for lyrikkforskning. Nummeret er redigeret af Hans Kristian S. Rustad, med Dan Ringgaard, Sven Anders Johansson og Martin Glaz Serup som gæsteredaktører.
I lederen kan man læse mere om det hele, blandt andet om hvordan Nordiske digtere og kritikere i høj grad også har været et formelt forsøg på at skabe en anden slags samtale om og med poesi, end den der typisk finder sted på universitet. På tværs af fag-, sprog- og landegrænser deltog en lang række forskellige digtere, oversættere, kritikere og akademikere fra fire-fem lande, uden på forhånd forberedte oplæg, i diskussioner og nærlæsninger. Heriblandt også hovedpersonerne selv. At stille de akademiske rutiner på hovedet, har Ringgaard, Johansson og jeg selv kaldt vores efter- og opfølgende overvejelser over formatet. Alt sammen inspireret af Vincent Broqua, Olivier Brossard & Abigail Langs arbejder med seminarrækken Poets & Critics der har fundet og finder sted i Paris siden 2010. Sissel Furuseth skriver om Gunnar Wærness. Anders E. Johansson skriver om Johan Jönsson. Og her skriver Gunnar Wærness og Johan Jönson selv om at deltage i Nordiske digtere og kritikere. Pia Juul havde givet tilsagn om at deltage i løjerne, men gik desværre pludseligt bort kort tid forinden. Steinar Opstad har skrevet om Pia Juuls digte. Og på Nordiske digtere og kritikeres hjemmeside findes der endnu flere tekster om de tre digtere.
by admin | Nov 9, 2023 | Uncategorized
– Professor Astrid Erll gives an honorary doctor lecture at the University of Copoenhagen –
– Time: 10 Nov. 2023, 10:15-11:45, Place: South Campus, auditorium 23.0.50 and zoom –
The war in Ukraine, accelerating climate change, and tenacious racism – these are just a few of the challenges Europeans see themselves faced with today.
It may sound surprising, but to a large extent, these are problems of collective memory. So, how can the interdisciplinary study of memory help us understand and address these challenges?
The war in Ukraine is fueled by Russian misconstructions of the past, which were a long time in the making (such as a sweeping ‘victim narrative’ ranging from Mongol invasions through the Great Patriotic War to today’s NATO). Our inability to react fast and adequately to climate change (despite seeing the evidence of floods and draughts at our very doorsteps) has also to do with ingrained habits of (not) thinking and (not) acting, which are passed on from generation to generation. And the fact that racism and antisemitism lingers in Europe and can suddenly erupt with full force is a result of the mechanism of collective memory, where nothing is ever fully forgotten.
This lecture is an introduction to the research of a relatively new field – memory studies – which connects history, sociology and psychology with language, media and culture studies, in order to understand how we construct the past and how the past shapes our present and future.
by admin | Nov 7, 2023 | Uncategorized
– den 9. og 16. november 2023 –
– læs here og tilmeld dig –
– her –
*
Men hvad er en novelle egentlig?
Hvad er det særlige ved novellen? Hvordan er de bygget op? Hvad kan de? Hvad er den korte forms særegne styrker? Hvad er novellegenrens karakteristika?
Træn din sproglige sensibilitet og din sans for at skrive noveller på en heldagsworkshop med Martin Glaz Serup.
by admin | Nov 6, 2023 | Uncategorized
Jacob Søndergaard har et essay i Atlas om algoritmer, Bach og mest rørende: om sin afdøde far
kan kan læse det
– her –
by admin | Nov 5, 2023 | Uncategorized
Laima Kreivytė in Versepolis:
To write about women’s poetry is to cheat both women and poetry – as if there existed a separate gender of women’s poetry full of lamentations and enchantments. Nevertheless, the voices of poets and poetesses[1] do often differ in intonation, in levels of intimacy, in the tensions of their strings: Elizabeth Bishop and Robert Lowell; Czesław Miłosz and Wisława Szymborska; Maironis and Salomėja Nėris. Poetic voices need to be different. I am thinking of the voice as an instrument of the body, or as a sound system for embodied experiences. And those experiences, styles of speech, vocabularies and biographies are in various ways marked by being women’s or men’s – even if that identity changes, gets deconstructed, or is not reflected upon at all. In the texts of poetesses I find more ‘sins’ and ‘newborns’, but that doesn’t mean that there is no ‘soul’ anymore. Maybe women give birth to poems, while men feel the rise of inspiration.
– read the rest of the article here –
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